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Módulo de sonido Roland JD-08
Clásico digital. Estilo moderno.
Con su flujo de trabajo retro, sonidos evocadores y efectos potentes, el JD-800 fue uno de los favoritos de los mejores productores de música electrónica a través de los años 90 y más allá. Combinando las formas de onda originales JD-800 con técnicas de modelado avanzadas, el JD-08 ofrece el exquisito diseño de sonido práctico del original, junto con polifonía enormemente expandida, un secuenciador polifónico de dos partes y otras actualizaciones modernas.
Sonido auténtico y comportamiento del JD-800 original realizado con modelado de sonido avanzado
- 108 formas de onda originales para amplias posibilidades de diseño de parches
- Incluye los 64 ajustes preestablecidos originales más 21 nuevos ajustes preestablecidos
- Secuenciador polifónico de dos partes, 64 pasos, ocho notas (por parte) con grabación de movimiento
- Generador de patrones aleatorios y memoria para 128 patrones
- Arpegiador a bordo
- Multitimbral de dos partes con polifonía expandida, hasta 128 voces
- Estructura de cuatro partes para capas de tono
- Interfaz de audio USB-C/MIDI, E/S MIDI de tamaño completo y entrada de reloj externa
Diseño de sonido inspirador al alcance de tu mano.
A principios de los 90, los sintetizadores digitales predefinidos con controles prácticos limitados dominaban el paisaje. El JD-800 cambió todo eso en 1991, trayendo el mundo del sintetizador de nuevo a sus raíces con un panel cargado de control y una paleta de sonido agresivamente electrónica. El JD-08 incluye 64 ajustes preestablecidos del hardware original y recrea perfectamente la estructura de cuatro tonos, 108 formas de onda y múltiples efectos únicos de dos partes que están en el núcleo del intrincado sonido en evolución del JD-800.
Sonido ampliado para la era moderna.
Mientras que el diseño original del JD-800 se conserva en esta versión moderna, hay una gama de actualizaciones que llevan la experiencia a otro nivel. Los nuevos parches más 256 ubicaciones de memoria te permiten sumergirte en la enorme variedad de controles para crear nuevos sonidos para tu música. Y con polifonía expandida y capacidad multitímbrica de dos partes, hay aún más espacio para estirar tus ideas sonoras
Música que se mueve.
Una vez que hayas bloqueado tus parches, enciende el secuenciador polifónico de dos partes y comienza a programar cables, líneas de bajo o acordes básicos para sincronizarlos con otras piezas de tu conjunto electrónico. Y para traer algo de movimiento animado a tus sonidos, toca la grabación en movimiento y el arpegiador a bordo para hacer bailar tus líneas musicales.
MIDI, USB y entrada de reloj externa.
El JD-08 cuenta con una interfaz de audio USB-C/MIDI integrada, para que pueda reproducir, grabar y sincronizar con todo tipo de software de producción informática. La E/S MIDI de tamaño completo también está disponible para interactuar con otro hardware MIDI. Incluso hay una entrada de reloj externa para conducir el secuenciador y arpegiador a bordo del JD-08 desde instrumentos analógicos antiguos y modernos sistemas Eurorack.
Toma tus llaves. Vete a la carretera.
El compacto JD-08 se adapta a casi cualquier lugar y se controla fácilmente desde un teclado maestro o un computadora DAW. Puede funcionar con baterías AA estándar durante horas de atasco sin inhibiciones, y también hay un altavoz integrado para monitorear el sonido sobre la marcha. Añade una base DK-01 Boutique Dock para un aspecto pulido y tres cómodas posiciones de inclinación, o toma una unidad de teclado K-25m para crear un instrumento portátil totalmente autónomo.
Bolsa de instrumentos boutique opcional.
Ligeras y duraderas, las bolsas de la serie Black son perfectas para artistas en movimiento. Con un exterior resistente y acolchado interno grueso, tu instrumento está protegido de golpes y moretones mientras estás en movimiento. Ideal para el uso diario, el OPTIONAL CB-BRB1 protege tu módulo Roland Boutique con estilo.
Elisa Ramona Terrey
Comentado en Alemania el 27 de febrero de 2025
Sieht süß aus, wenn der Fisch wackelt, Praktisch auch für draußen über der Jacke.
Cliente de
Comentado en México el 5 de enero de 2025
El sintetizador es excelente. Quizá el control de volumen habría sido mejor que estuviera en el panel principal y no en la parte de atrás. Los sonidos son excelentes
Cliente de
Comentado en México el 5 de enero de 2025
El sintetizador es excelente. Quizá el control de volumen habría sido mejor que estuviera en el panel principal y no en la parte de atrás. Los sonidos son excelentes
Cliente de
Comentado en México el 5 de enero de 2025
El sintetizador es excelente. Quizá el control de volumen habría sido mejor que estuviera en el panel principal y no en la parte de atrás. Los sonidos son excelentes
Cliente de
Comentado en México el 5 de enero de 2025
El sintetizador es excelente. Quizá el control de volumen habría sido mejor que estuviera en el panel principal y no en la parte de atrás. Los sonidos son excelentes
Cliente de
Comentado en México el 5 de enero de 2025
El sintetizador es excelente. Quizá el control de volumen habría sido mejor que estuviera en el panel principal y no en la parte de atrás. Los sonidos son excelentes
Cliente de
Comentado en México el 5 de enero de 2025
El sintetizador es excelente. Quizá el control de volumen habría sido mejor que estuviera en el panel principal y no en la parte de atrás. Los sonidos son excelentes
Cliente de
Comentado en México el 5 de enero de 2025
El sintetizador es excelente. Quizá el control de volumen habría sido mejor que estuviera en el panel principal y no en la parte de atrás. Los sonidos son excelentes
Cliente de
Comentado en México el 5 de enero de 2025
El sintetizador es excelente. Quizá el control de volumen habría sido mejor que estuviera en el panel principal y no en la parte de atrás. Los sonidos son excelentes
Alex
Comentado en México el 28 de agosto de 2024
Interfaz poco intuitiva y el sonido es diferente a su predecesor. No deja de ser muy bueno e interesante. Su sonido es más brillante que sus predecesores.
Alex
Comentado en México el 28 de agosto de 2024
Interfaz poco intuitiva y el sonido es diferente a su predecesor. No deja de ser muy bueno e interesante. Su sonido es más brillante que sus predecesores.
Alex
Comentado en México el 28 de agosto de 2024
Interfaz poco intuitiva y el sonido es diferente a su predecesor. No deja de ser muy bueno e interesante. Su sonido es más brillante que sus predecesores.
Alex
Comentado en México el 28 de agosto de 2024
Interfaz poco intuitiva y el sonido es diferente a su predecesor. No deja de ser muy bueno e interesante. Su sonido es más brillante que sus predecesores.
Alex
Comentado en México el 28 de agosto de 2024
Interfaz poco intuitiva y el sonido es diferente a su predecesor. No deja de ser muy bueno e interesante. Su sonido es más brillante que sus predecesores.
Alex
Comentado en México el 28 de agosto de 2024
Interfaz poco intuitiva y el sonido es diferente a su predecesor. No deja de ser muy bueno e interesante. Su sonido es más brillante que sus predecesores.
Alex
Comentado en México el 28 de agosto de 2024
Interfaz poco intuitiva y el sonido es diferente a su predecesor. No deja de ser muy bueno e interesante. Su sonido es más brillante que sus predecesores.
Alex
Comentado en México el 28 de agosto de 2024
Interfaz poco intuitiva y el sonido es diferente a su predecesor. No deja de ser muy bueno e interesante. Su sonido es más brillante que sus predecesores.
peederj
Comentado en los Estados Unidos el 15 de julio de 2024
This is a widely misunderstood piece.You get the Zen-core engine of the $3000 Jupiter X, with way more hands-on control than a plugin will provide you, and 128 voices spread over as much as 8 parts multitimbrality (yes, you get two independent patches on two MIDI channels with four independent tones each, and the ability to split each keyboard in four parts with +/- 48 semitones pitch range on each). The four tones each get an easily assignable 20mm throw palette fader so you can have evolving trance pads galore as you wish.So it certainly isn’t the power on tap or the raw sound quality or the hands on controls that people misunderstand. Most of the faders are only 10mm throw but that’s still way way easier than Volca-size knobs especially so densely packed. If your fine motor skills are hopeless then OK get a larger unit.The filter is early 90’s digital in all its horrifying glory…which brings us to the point: you are not buying an analog-style 70’s synth here. Not at all. However you are buying something that stands out above a rack of old analog synths which is why digital synths were popular by the mid-80’s, with the DX7 the best selling synth of all time, and the D-50 and M1 huge hits.The JD-800 addressed the main performance failing of those synths by returning hands-on control to a then-modern digital sound. Which makes this JD-08 still relevant today as plugins do ever more impressive noisemaking. Do not think “analog synth” for a second here. Maybe the JX-08 (JX-8P boutique) is what you want if that is what you’re thinking. This is for when you’re already sick of all that muddy analog sound and want something else to cut through that.The old presets are of the era when evolving midi stacks of digibells, keytars, and most grievous of all, panflutes were in style. I remember this era with some trepidation and I never craved a JD-800 at the time. However, you can program interesting things with the 108 waveforms and fancy envelopes and digitally screaming filters. And with direct hands-on control of a couple dozen faders. There is minimal menu diving for a Roland.The sonics are more than twice as good as the Volca’s or small Behringers. Jupiter-X sonics, with a full stack of Roland FX. It doesn’t do JP-8000 style synth things like synced oscillators or FM but it does lots of other things with no voice stealing. It fills out an arrangement freeing up voices and sequencer tracks on all your other pieces.I got a perfect used one from Amazon Warehouse and am keeping it. I am glad so few appreciate the point of this thing. After you have enough analog it’s refreshing to have something else you can perform (and polyphonically sequence) motion on.
peederj
Comentado en los Estados Unidos el 15 de julio de 2024
This is a widely misunderstood piece.You get the Zen-core engine of the $3000 Jupiter X, with way more hands-on control than a plugin will provide you, and 128 voices spread over as much as 8 parts multitimbrality (yes, you get two independent patches on two MIDI channels with four independent tones each, and the ability to split each keyboard in four parts with +/- 48 semitones pitch range on each). The four tones each get an easily assignable 20mm throw palette fader so you can have evolving trance pads galore as you wish.So it certainly isn’t the power on tap or the raw sound quality or the hands on controls that people misunderstand. Most of the faders are only 10mm throw but that’s still way way easier than Volca-size knobs especially so densely packed. If your fine motor skills are hopeless then OK get a larger unit.The filter is early 90’s digital in all its horrifying glory…which brings us to the point: you are not buying an analog-style 70’s synth here. Not at all. However you are buying something that stands out above a rack of old analog synths which is why digital synths were popular by the mid-80’s, with the DX7 the best selling synth of all time, and the D-50 and M1 huge hits.The JD-800 addressed the main performance failing of those synths by returning hands-on control to a then-modern digital sound. Which makes this JD-08 still relevant today as plugins do ever more impressive noisemaking. Do not think “analog synth” for a second here. Maybe the JX-08 (JX-8P boutique) is what you want if that is what you’re thinking. This is for when you’re already sick of all that muddy analog sound and want something else to cut through that.The old presets are of the era when evolving midi stacks of digibells, keytars, and most grievous of all, panflutes were in style. I remember this era with some trepidation and I never craved a JD-800 at the time. However, you can program interesting things with the 108 waveforms and fancy envelopes and digitally screaming filters. And with direct hands-on control of a couple dozen faders. There is minimal menu diving for a Roland.The sonics are more than twice as good as the Volca’s or small Behringers. Jupiter-X sonics, with a full stack of Roland FX. It doesn’t do JP-8000 style synth things like synced oscillators or FM but it does lots of other things with no voice stealing. It fills out an arrangement freeing up voices and sequencer tracks on all your other pieces.I got a perfect used one from Amazon Warehouse and am keeping it. I am glad so few appreciate the point of this thing. After you have enough analog it’s refreshing to have something else you can perform (and polyphonically sequence) motion on.
peederj
Comentado en los Estados Unidos el 15 de julio de 2024
This is a widely misunderstood piece.You get the Zen-core engine of the $3000 Jupiter X, with way more hands-on control than a plugin will provide you, and 128 voices spread over as much as 8 parts multitimbrality (yes, you get two independent patches on two MIDI channels with four independent tones each, and the ability to split each keyboard in four parts with +/- 48 semitones pitch range on each). The four tones each get an easily assignable 20mm throw palette fader so you can have evolving trance pads galore as you wish.So it certainly isn’t the power on tap or the raw sound quality or the hands on controls that people misunderstand. Most of the faders are only 10mm throw but that’s still way way easier than Volca-size knobs especially so densely packed. If your fine motor skills are hopeless then OK get a larger unit.The filter is early 90’s digital in all its horrifying glory…which brings us to the point: you are not buying an analog-style 70’s synth here. Not at all. However you are buying something that stands out above a rack of old analog synths which is why digital synths were popular by the mid-80’s, with the DX7 the best selling synth of all time, and the D-50 and M1 huge hits.The JD-800 addressed the main performance failing of those synths by returning hands-on control to a then-modern digital sound. Which makes this JD-08 still relevant today as plugins do ever more impressive noisemaking. Do not think “analog synth” for a second here. Maybe the JX-08 (JX-8P boutique) is what you want if that is what you’re thinking. This is for when you’re already sick of all that muddy analog sound and want something else to cut through that.The old presets are of the era when evolving midi stacks of digibells, keytars, and most grievous of all, panflutes were in style. I remember this era with some trepidation and I never craved a JD-800 at the time. However, you can program interesting things with the 108 waveforms and fancy envelopes and digitally screaming filters. And with direct hands-on control of a couple dozen faders. There is minimal menu diving for a Roland.The sonics are more than twice as good as the Volca’s or small Behringers. Jupiter-X sonics, with a full stack of Roland FX. It doesn’t do JP-8000 style synth things like synced oscillators or FM but it does lots of other things with no voice stealing. It fills out an arrangement freeing up voices and sequencer tracks on all your other pieces.I got a perfect used one from Amazon Warehouse and am keeping it. I am glad so few appreciate the point of this thing. After you have enough analog it’s refreshing to have something else you can perform (and polyphonically sequence) motion on.
peederj
Comentado en los Estados Unidos el 15 de julio de 2024
This is a widely misunderstood piece.You get the Zen-core engine of the $3000 Jupiter X, with way more hands-on control than a plugin will provide you, and 128 voices spread over as much as 8 parts multitimbrality (yes, you get two independent patches on two MIDI channels with four independent tones each, and the ability to split each keyboard in four parts with +/- 48 semitones pitch range on each). The four tones each get an easily assignable 20mm throw palette fader so you can have evolving trance pads galore as you wish.So it certainly isn’t the power on tap or the raw sound quality or the hands on controls that people misunderstand. Most of the faders are only 10mm throw but that’s still way way easier than Volca-size knobs especially so densely packed. If your fine motor skills are hopeless then OK get a larger unit.The filter is early 90’s digital in all its horrifying glory…which brings us to the point: you are not buying an analog-style 70’s synth here. Not at all. However you are buying something that stands out above a rack of old analog synths which is why digital synths were popular by the mid-80’s, with the DX7 the best selling synth of all time, and the D-50 and M1 huge hits.The JD-800 addressed the main performance failing of those synths by returning hands-on control to a then-modern digital sound. Which makes this JD-08 still relevant today as plugins do ever more impressive noisemaking. Do not think “analog synth” for a second here. Maybe the JX-08 (JX-8P boutique) is what you want if that is what you’re thinking. This is for when you’re already sick of all that muddy analog sound and want something else to cut through that.The old presets are of the era when evolving midi stacks of digibells, keytars, and most grievous of all, panflutes were in style. I remember this era with some trepidation and I never craved a JD-800 at the time. However, you can program interesting things with the 108 waveforms and fancy envelopes and digitally screaming filters. And with direct hands-on control of a couple dozen faders. There is minimal menu diving for a Roland.The sonics are more than twice as good as the Volca’s or small Behringers. Jupiter-X sonics, with a full stack of Roland FX. It doesn’t do JP-8000 style synth things like synced oscillators or FM but it does lots of other things with no voice stealing. It fills out an arrangement freeing up voices and sequencer tracks on all your other pieces.I got a perfect used one from Amazon Warehouse and am keeping it. I am glad so few appreciate the point of this thing. After you have enough analog it’s refreshing to have something else you can perform (and polyphonically sequence) motion on.
peederj
Comentado en los Estados Unidos el 15 de julio de 2024
This is a widely misunderstood piece.You get the Zen-core engine of the $3000 Jupiter X, with way more hands-on control than a plugin will provide you, and 128 voices spread over as much as 8 parts multitimbrality (yes, you get two independent patches on two MIDI channels with four independent tones each, and the ability to split each keyboard in four parts with +/- 48 semitones pitch range on each). The four tones each get an easily assignable 20mm throw palette fader so you can have evolving trance pads galore as you wish.So it certainly isn’t the power on tap or the raw sound quality or the hands on controls that people misunderstand. Most of the faders are only 10mm throw but that’s still way way easier than Volca-size knobs especially so densely packed. If your fine motor skills are hopeless then OK get a larger unit.The filter is early 90’s digital in all its horrifying glory…which brings us to the point: you are not buying an analog-style 70’s synth here. Not at all. However you are buying something that stands out above a rack of old analog synths which is why digital synths were popular by the mid-80’s, with the DX7 the best selling synth of all time, and the D-50 and M1 huge hits.The JD-800 addressed the main performance failing of those synths by returning hands-on control to a then-modern digital sound. Which makes this JD-08 still relevant today as plugins do ever more impressive noisemaking. Do not think “analog synth” for a second here. Maybe the JX-08 (JX-8P boutique) is what you want if that is what you’re thinking. This is for when you’re already sick of all that muddy analog sound and want something else to cut through that.The old presets are of the era when evolving midi stacks of digibells, keytars, and most grievous of all, panflutes were in style. I remember this era with some trepidation and I never craved a JD-800 at the time. However, you can program interesting things with the 108 waveforms and fancy envelopes and digitally screaming filters. And with direct hands-on control of a couple dozen faders. There is minimal menu diving for a Roland.The sonics are more than twice as good as the Volca’s or small Behringers. Jupiter-X sonics, with a full stack of Roland FX. It doesn’t do JP-8000 style synth things like synced oscillators or FM but it does lots of other things with no voice stealing. It fills out an arrangement freeing up voices and sequencer tracks on all your other pieces.I got a perfect used one from Amazon Warehouse and am keeping it. I am glad so few appreciate the point of this thing. After you have enough analog it’s refreshing to have something else you can perform (and polyphonically sequence) motion on.
peederj
Comentado en los Estados Unidos el 15 de julio de 2024
This is a widely misunderstood piece.You get the Zen-core engine of the $3000 Jupiter X, with way more hands-on control than a plugin will provide you, and 128 voices spread over as much as 8 parts multitimbrality (yes, you get two independent patches on two MIDI channels with four independent tones each, and the ability to split each keyboard in four parts with +/- 48 semitones pitch range on each). The four tones each get an easily assignable 20mm throw palette fader so you can have evolving trance pads galore as you wish.So it certainly isn’t the power on tap or the raw sound quality or the hands on controls that people misunderstand. Most of the faders are only 10mm throw but that’s still way way easier than Volca-size knobs especially so densely packed. If your fine motor skills are hopeless then OK get a larger unit.The filter is early 90’s digital in all its horrifying glory…which brings us to the point: you are not buying an analog-style 70’s synth here. Not at all. However you are buying something that stands out above a rack of old analog synths which is why digital synths were popular by the mid-80’s, with the DX7 the best selling synth of all time, and the D-50 and M1 huge hits.The JD-800 addressed the main performance failing of those synths by returning hands-on control to a then-modern digital sound. Which makes this JD-08 still relevant today as plugins do ever more impressive noisemaking. Do not think “analog synth” for a second here. Maybe the JX-08 (JX-8P boutique) is what you want if that is what you’re thinking. This is for when you’re already sick of all that muddy analog sound and want something else to cut through that.The old presets are of the era when evolving midi stacks of digibells, keytars, and most grievous of all, panflutes were in style. I remember this era with some trepidation and I never craved a JD-800 at the time. However, you can program interesting things with the 108 waveforms and fancy envelopes and digitally screaming filters. And with direct hands-on control of a couple dozen faders. There is minimal menu diving for a Roland.The sonics are more than twice as good as the Volca’s or small Behringers. Jupiter-X sonics, with a full stack of Roland FX. It doesn’t do JP-8000 style synth things like synced oscillators or FM but it does lots of other things with no voice stealing. It fills out an arrangement freeing up voices and sequencer tracks on all your other pieces.I got a perfect used one from Amazon Warehouse and am keeping it. I am glad so few appreciate the point of this thing. After you have enough analog it’s refreshing to have something else you can perform (and polyphonically sequence) motion on.
peederj
Comentado en los Estados Unidos el 15 de julio de 2024
This is a widely misunderstood piece.You get the Zen-core engine of the $3000 Jupiter X, with way more hands-on control than a plugin will provide you, and 128 voices spread over as much as 8 parts multitimbrality (yes, you get two independent patches on two MIDI channels with four independent tones each, and the ability to split each keyboard in four parts with +/- 48 semitones pitch range on each). The four tones each get an easily assignable 20mm throw palette fader so you can have evolving trance pads galore as you wish.So it certainly isn’t the power on tap or the raw sound quality or the hands on controls that people misunderstand. Most of the faders are only 10mm throw but that’s still way way easier than Volca-size knobs especially so densely packed. If your fine motor skills are hopeless then OK get a larger unit.The filter is early 90’s digital in all its horrifying glory…which brings us to the point: you are not buying an analog-style 70’s synth here. Not at all. However you are buying something that stands out above a rack of old analog synths which is why digital synths were popular by the mid-80’s, with the DX7 the best selling synth of all time, and the D-50 and M1 huge hits.The JD-800 addressed the main performance failing of those synths by returning hands-on control to a then-modern digital sound. Which makes this JD-08 still relevant today as plugins do ever more impressive noisemaking. Do not think “analog synth” for a second here. Maybe the JX-08 (JX-8P boutique) is what you want if that is what you’re thinking. This is for when you’re already sick of all that muddy analog sound and want something else to cut through that.The old presets are of the era when evolving midi stacks of digibells, keytars, and most grievous of all, panflutes were in style. I remember this era with some trepidation and I never craved a JD-800 at the time. However, you can program interesting things with the 108 waveforms and fancy envelopes and digitally screaming filters. And with direct hands-on control of a couple dozen faders. There is minimal menu diving for a Roland.The sonics are more than twice as good as the Volca’s or small Behringers. Jupiter-X sonics, with a full stack of Roland FX. It doesn’t do JP-8000 style synth things like synced oscillators or FM but it does lots of other things with no voice stealing. It fills out an arrangement freeing up voices and sequencer tracks on all your other pieces.I got a perfect used one from Amazon Warehouse and am keeping it. I am glad so few appreciate the point of this thing. After you have enough analog it’s refreshing to have something else you can perform (and polyphonically sequence) motion on.
peederj
Comentado en los Estados Unidos el 15 de julio de 2024
This is a widely misunderstood piece.You get the Zen-core engine of the $3000 Jupiter X, with way more hands-on control than a plugin will provide you, and 128 voices spread over as much as 8 parts multitimbrality (yes, you get two independent patches on two MIDI channels with four independent tones each, and the ability to split each keyboard in four parts with +/- 48 semitones pitch range on each). The four tones each get an easily assignable 20mm throw palette fader so you can have evolving trance pads galore as you wish.So it certainly isn’t the power on tap or the raw sound quality or the hands on controls that people misunderstand. Most of the faders are only 10mm throw but that’s still way way easier than Volca-size knobs especially so densely packed. If your fine motor skills are hopeless then OK get a larger unit.The filter is early 90’s digital in all its horrifying glory…which brings us to the point: you are not buying an analog-style 70’s synth here. Not at all. However you are buying something that stands out above a rack of old analog synths which is why digital synths were popular by the mid-80’s, with the DX7 the best selling synth of all time, and the D-50 and M1 huge hits.The JD-800 addressed the main performance failing of those synths by returning hands-on control to a then-modern digital sound. Which makes this JD-08 still relevant today as plugins do ever more impressive noisemaking. Do not think “analog synth” for a second here. Maybe the JX-08 (JX-8P boutique) is what you want if that is what you’re thinking. This is for when you’re already sick of all that muddy analog sound and want something else to cut through that.The old presets are of the era when evolving midi stacks of digibells, keytars, and most grievous of all, panflutes were in style. I remember this era with some trepidation and I never craved a JD-800 at the time. However, you can program interesting things with the 108 waveforms and fancy envelopes and digitally screaming filters. And with direct hands-on control of a couple dozen faders. There is minimal menu diving for a Roland.The sonics are more than twice as good as the Volca’s or small Behringers. Jupiter-X sonics, with a full stack of Roland FX. It doesn’t do JP-8000 style synth things like synced oscillators or FM but it does lots of other things with no voice stealing. It fills out an arrangement freeing up voices and sequencer tracks on all your other pieces.I got a perfect used one from Amazon Warehouse and am keeping it. I am glad so few appreciate the point of this thing. After you have enough analog it’s refreshing to have something else you can perform (and polyphonically sequence) motion on.
spb
Comentado en Canadá el 13 de marzo de 2024
This is a great Roland sound module. Compact and easy to operate.
spb
Comentado en Canadá el 13 de marzo de 2024
This is a great Roland sound module. Compact and easy to operate.
spb
Comentado en Canadá el 13 de marzo de 2024
This is a great Roland sound module. Compact and easy to operate.
spb
Comentado en Canadá el 13 de marzo de 2024
This is a great Roland sound module. Compact and easy to operate.
spb
Comentado en Canadá el 13 de marzo de 2024
This is a great Roland sound module. Compact and easy to operate.
spb
Comentado en Canadá el 13 de marzo de 2024
This is a great Roland sound module. Compact and easy to operate.
spb
Comentado en Canadá el 13 de marzo de 2024
This is a great Roland sound module. Compact and easy to operate.
spb
Comentado en Canadá el 13 de marzo de 2024
This is a great Roland sound module. Compact and easy to operate.
Rouse
Comentado en España el 28 de febrero de 2024
Muy colorido y bonito. Es cómodo
Cake Fighter
Comentado en los Estados Unidos el 18 de abril de 2024
There are a lot of thoughts on "desert island synths". You'll see names like Waldorf Blofeld or Virus or whatnot. And if you want to spend a lot of money you get a Hydrasynth. But if you are smart and you want to spend even less money, you get this. Why this?1) It's a recreation of a digital crossover synth. That means this is the one that actually has all the "sounds you remember from the 80's" that never happened in the 80's. It was the 90's. You are remembering it wrong. This is the one that's going to have the doot doot sound from Sandstorm, and the pads from stranger things stolen from stephen king movies.2) It has a gabillion voices. So you won't have a problem filling out your own pads.3) You can assign A and B sounds to different midi channels. So if you are like me and control everything with a sequencer, that's chords and leads with the same synth.4) Has the lazy "mix in" connection in 1/8 trs. I love this connection.5) Could be portable. Takes batteries. I don't care.6) Has a built in speaker I'll never use, but is great for letting you know when a cable gets disconnected.7) You can pick it up all day for 300 used. But it holds it's value well enough, you can justify paying 400 for new.I can't think of a more useful synth in this price range that is good enough for recording, that will play nice with all your gear, that isn't 10 years old. Maybe the JX-08, but this has more versatility. The very inexpensive Roland S1 would be almost as good with 4 more voices. Definitely look at the Waldorf Blofeld if you see one under 400 bucks. Otherwise, this is the one. Make sure you get a grounded power supply, This device has no problems transmitting 60hz hum if you don't.
Cake Fighter
Comentado en los Estados Unidos el 18 de abril de 2024
There are a lot of thoughts on "desert island synths". You'll see names like Waldorf Blofeld or Virus or whatnot. And if you want to spend a lot of money you get a Hydrasynth. But if you are smart and you want to spend even less money, you get this. Why this?1) It's a recreation of a digital crossover synth. That means this is the one that actually has all the "sounds you remember from the 80's" that never happened in the 80's. It was the 90's. You are remembering it wrong. This is the one that's going to have the doot doot sound from Sandstorm, and the pads from stranger things stolen from stephen king movies.2) It has a gabillion voices. So you won't have a problem filling out your own pads.3) You can assign A and B sounds to different midi channels. So if you are like me and control everything with a sequencer, that's chords and leads with the same synth.4) Has the lazy "mix in" connection in 1/8 trs. I love this connection.5) Could be portable. Takes batteries. I don't care.6) Has a built in speaker I'll never use, but is great for letting you know when a cable gets disconnected.7) You can pick it up all day for 300 used. But it holds it's value well enough, you can justify paying 400 for new.I can't think of a more useful synth in this price range that is good enough for recording, that will play nice with all your gear, that isn't 10 years old. Maybe the JX-08, but this has more versatility. The very inexpensive Roland S1 would be almost as good with 4 more voices. Definitely look at the Waldorf Blofeld if you see one under 400 bucks. Otherwise, this is the one. Make sure you get a grounded power supply, This device has no problems transmitting 60hz hum if you don't.
Cake Fighter
Comentado en los Estados Unidos el 18 de abril de 2024
There are a lot of thoughts on "desert island synths". You'll see names like Waldorf Blofeld or Virus or whatnot. And if you want to spend a lot of money you get a Hydrasynth. But if you are smart and you want to spend even less money, you get this. Why this?1) It's a recreation of a digital crossover synth. That means this is the one that actually has all the "sounds you remember from the 80's" that never happened in the 80's. It was the 90's. You are remembering it wrong. This is the one that's going to have the doot doot sound from Sandstorm, and the pads from stranger things stolen from stephen king movies.2) It has a gabillion voices. So you won't have a problem filling out your own pads.3) You can assign A and B sounds to different midi channels. So if you are like me and control everything with a sequencer, that's chords and leads with the same synth.4) Has the lazy "mix in" connection in 1/8 trs. I love this connection.5) Could be portable. Takes batteries. I don't care.6) Has a built in speaker I'll never use, but is great for letting you know when a cable gets disconnected.7) You can pick it up all day for 300 used. But it holds it's value well enough, you can justify paying 400 for new.I can't think of a more useful synth in this price range that is good enough for recording, that will play nice with all your gear, that isn't 10 years old. Maybe the JX-08, but this has more versatility. The very inexpensive Roland S1 would be almost as good with 4 more voices. Definitely look at the Waldorf Blofeld if you see one under 400 bucks. Otherwise, this is the one. Make sure you get a grounded power supply, This device has no problems transmitting 60hz hum if you don't.
Cake Fighter
Comentado en los Estados Unidos el 18 de abril de 2024
There are a lot of thoughts on "desert island synths". You'll see names like Waldorf Blofeld or Virus or whatnot. And if you want to spend a lot of money you get a Hydrasynth. But if you are smart and you want to spend even less money, you get this. Why this?1) It's a recreation of a digital crossover synth. That means this is the one that actually has all the "sounds you remember from the 80's" that never happened in the 80's. It was the 90's. You are remembering it wrong. This is the one that's going to have the doot doot sound from Sandstorm, and the pads from stranger things stolen from stephen king movies.2) It has a gabillion voices. So you won't have a problem filling out your own pads.3) You can assign A and B sounds to different midi channels. So if you are like me and control everything with a sequencer, that's chords and leads with the same synth.4) Has the lazy "mix in" connection in 1/8 trs. I love this connection.5) Could be portable. Takes batteries. I don't care.6) Has a built in speaker I'll never use, but is great for letting you know when a cable gets disconnected.7) You can pick it up all day for 300 used. But it holds it's value well enough, you can justify paying 400 for new.I can't think of a more useful synth in this price range that is good enough for recording, that will play nice with all your gear, that isn't 10 years old. Maybe the JX-08, but this has more versatility. The very inexpensive Roland S1 would be almost as good with 4 more voices. Definitely look at the Waldorf Blofeld if you see one under 400 bucks. Otherwise, this is the one. Make sure you get a grounded power supply, This device has no problems transmitting 60hz hum if you don't.
Cake Fighter
Comentado en los Estados Unidos el 18 de abril de 2024
There are a lot of thoughts on "desert island synths". You'll see names like Waldorf Blofeld or Virus or whatnot. And if you want to spend a lot of money you get a Hydrasynth. But if you are smart and you want to spend even less money, you get this. Why this?1) It's a recreation of a digital crossover synth. That means this is the one that actually has all the "sounds you remember from the 80's" that never happened in the 80's. It was the 90's. You are remembering it wrong. This is the one that's going to have the doot doot sound from Sandstorm, and the pads from stranger things stolen from stephen king movies.2) It has a gabillion voices. So you won't have a problem filling out your own pads.3) You can assign A and B sounds to different midi channels. So if you are like me and control everything with a sequencer, that's chords and leads with the same synth.4) Has the lazy "mix in" connection in 1/8 trs. I love this connection.5) Could be portable. Takes batteries. I don't care.6) Has a built in speaker I'll never use, but is great for letting you know when a cable gets disconnected.7) You can pick it up all day for 300 used. But it holds it's value well enough, you can justify paying 400 for new.I can't think of a more useful synth in this price range that is good enough for recording, that will play nice with all your gear, that isn't 10 years old. Maybe the JX-08, but this has more versatility. The very inexpensive Roland S1 would be almost as good with 4 more voices. Definitely look at the Waldorf Blofeld if you see one under 400 bucks. Otherwise, this is the one. Make sure you get a grounded power supply, This device has no problems transmitting 60hz hum if you don't.
Cake Fighter
Comentado en los Estados Unidos el 18 de abril de 2024
There are a lot of thoughts on "desert island synths". You'll see names like Waldorf Blofeld or Virus or whatnot. And if you want to spend a lot of money you get a Hydrasynth. But if you are smart and you want to spend even less money, you get this. Why this?1) It's a recreation of a digital crossover synth. That means this is the one that actually has all the "sounds you remember from the 80's" that never happened in the 80's. It was the 90's. You are remembering it wrong. This is the one that's going to have the doot doot sound from Sandstorm, and the pads from stranger things stolen from stephen king movies.2) It has a gabillion voices. So you won't have a problem filling out your own pads.3) You can assign A and B sounds to different midi channels. So if you are like me and control everything with a sequencer, that's chords and leads with the same synth.4) Has the lazy "mix in" connection in 1/8 trs. I love this connection.5) Could be portable. Takes batteries. I don't care.6) Has a built in speaker I'll never use, but is great for letting you know when a cable gets disconnected.7) You can pick it up all day for 300 used. But it holds it's value well enough, you can justify paying 400 for new.I can't think of a more useful synth in this price range that is good enough for recording, that will play nice with all your gear, that isn't 10 years old. Maybe the JX-08, but this has more versatility. The very inexpensive Roland S1 would be almost as good with 4 more voices. Definitely look at the Waldorf Blofeld if you see one under 400 bucks. Otherwise, this is the one. Make sure you get a grounded power supply, This device has no problems transmitting 60hz hum if you don't.
Cake Fighter
Comentado en los Estados Unidos el 18 de abril de 2024
There are a lot of thoughts on "desert island synths". You'll see names like Waldorf Blofeld or Virus or whatnot. And if you want to spend a lot of money you get a Hydrasynth. But if you are smart and you want to spend even less money, you get this. Why this?1) It's a recreation of a digital crossover synth. That means this is the one that actually has all the "sounds you remember from the 80's" that never happened in the 80's. It was the 90's. You are remembering it wrong. This is the one that's going to have the doot doot sound from Sandstorm, and the pads from stranger things stolen from stephen king movies.2) It has a gabillion voices. So you won't have a problem filling out your own pads.3) You can assign A and B sounds to different midi channels. So if you are like me and control everything with a sequencer, that's chords and leads with the same synth.4) Has the lazy "mix in" connection in 1/8 trs. I love this connection.5) Could be portable. Takes batteries. I don't care.6) Has a built in speaker I'll never use, but is great for letting you know when a cable gets disconnected.7) You can pick it up all day for 300 used. But it holds it's value well enough, you can justify paying 400 for new.I can't think of a more useful synth in this price range that is good enough for recording, that will play nice with all your gear, that isn't 10 years old. Maybe the JX-08, but this has more versatility. The very inexpensive Roland S1 would be almost as good with 4 more voices. Definitely look at the Waldorf Blofeld if you see one under 400 bucks. Otherwise, this is the one. Make sure you get a grounded power supply, This device has no problems transmitting 60hz hum if you don't.
Cake Fighter
Comentado en los Estados Unidos el 18 de abril de 2024
There are a lot of thoughts on "desert island synths". You'll see names like Waldorf Blofeld or Virus or whatnot. And if you want to spend a lot of money you get a Hydrasynth. But if you are smart and you want to spend even less money, you get this. Why this?1) It's a recreation of a digital crossover synth. That means this is the one that actually has all the "sounds you remember from the 80's" that never happened in the 80's. It was the 90's. You are remembering it wrong. This is the one that's going to have the doot doot sound from Sandstorm, and the pads from stranger things stolen from stephen king movies.2) It has a gabillion voices. So you won't have a problem filling out your own pads.3) You can assign A and B sounds to different midi channels. So if you are like me and control everything with a sequencer, that's chords and leads with the same synth.4) Has the lazy "mix in" connection in 1/8 trs. I love this connection.5) Could be portable. Takes batteries. I don't care.6) Has a built in speaker I'll never use, but is great for letting you know when a cable gets disconnected.7) You can pick it up all day for 300 used. But it holds it's value well enough, you can justify paying 400 for new.I can't think of a more useful synth in this price range that is good enough for recording, that will play nice with all your gear, that isn't 10 years old. Maybe the JX-08, but this has more versatility. The very inexpensive Roland S1 would be almost as good with 4 more voices. Definitely look at the Waldorf Blofeld if you see one under 400 bucks. Otherwise, this is the one. Make sure you get a grounded power supply, This device has no problems transmitting 60hz hum if you don't.
NANCY S
Comentado en México el 18 de noviembre de 2023
Muy buen producto
NANCY S
Comentado en México el 18 de noviembre de 2023
Muy buen producto
NANCY S
Comentado en México el 18 de noviembre de 2023
Muy buen producto
NANCY S
Comentado en México el 18 de noviembre de 2023
Muy buen producto
NANCY S
Comentado en México el 18 de noviembre de 2023
Muy buen producto
NANCY S
Comentado en México el 18 de noviembre de 2023
Muy buen producto
NANCY S
Comentado en México el 18 de noviembre de 2023
Muy buen producto
NANCY S
Comentado en México el 18 de noviembre de 2023
Muy buen producto
AbuyerA
Comentado en Canadá el 13 de octubre de 2023
Great sounding synth. It’s the boutique version of the JD800, Roland’s flagship synth from the early- to mid-90s. Chances are you’ve heard this synth on nearly every popular piece of music or soundtrack made then, and even later. The controls are small but surprisingly easy to manipulate and the build quality is excellent.Someone rated this synth a low grade because it didn’t come with the 25-key keyboard. None of the Roland boutique models come with a keyboard. It’s an unfair rating.
AbuyerA
Comentado en Canadá el 13 de octubre de 2023
Great sounding synth. It’s the boutique version of the JD800, Roland’s flagship synth from the early- to mid-90s. Chances are you’ve heard this synth on nearly every popular piece of music or soundtrack made then, and even later. The controls are small but surprisingly easy to manipulate and the build quality is excellent.Someone rated this synth a low grade because it didn’t come with the 25-key keyboard. None of the Roland boutique models come with a keyboard. It’s an unfair rating.
AbuyerA
Comentado en Canadá el 13 de octubre de 2023
Great sounding synth. It’s the boutique version of the JD800, Roland’s flagship synth from the early- to mid-90s. Chances are you’ve heard this synth on nearly every popular piece of music or soundtrack made then, and even later. The controls are small but surprisingly easy to manipulate and the build quality is excellent.Someone rated this synth a low grade because it didn’t come with the 25-key keyboard. None of the Roland boutique models come with a keyboard. It’s an unfair rating.
AbuyerA
Comentado en Canadá el 13 de octubre de 2023
Great sounding synth. It’s the boutique version of the JD800, Roland’s flagship synth from the early- to mid-90s. Chances are you’ve heard this synth on nearly every popular piece of music or soundtrack made then, and even later. The controls are small but surprisingly easy to manipulate and the build quality is excellent.Someone rated this synth a low grade because it didn’t come with the 25-key keyboard. None of the Roland boutique models come with a keyboard. It’s an unfair rating.
AbuyerA
Comentado en Canadá el 13 de octubre de 2023
Great sounding synth. It’s the boutique version of the JD800, Roland’s flagship synth from the early- to mid-90s. Chances are you’ve heard this synth on nearly every popular piece of music or soundtrack made then, and even later. The controls are small but surprisingly easy to manipulate and the build quality is excellent.Someone rated this synth a low grade because it didn’t come with the 25-key keyboard. None of the Roland boutique models come with a keyboard. It’s an unfair rating.
AbuyerA
Comentado en Canadá el 13 de octubre de 2023
Great sounding synth. It’s the boutique version of the JD800, Roland’s flagship synth from the early- to mid-90s. Chances are you’ve heard this synth on nearly every popular piece of music or soundtrack made then, and even later. The controls are small but surprisingly easy to manipulate and the build quality is excellent.Someone rated this synth a low grade because it didn’t come with the 25-key keyboard. None of the Roland boutique models come with a keyboard. It’s an unfair rating.
AbuyerA
Comentado en Canadá el 13 de octubre de 2023
Great sounding synth. It’s the boutique version of the JD800, Roland’s flagship synth from the early- to mid-90s. Chances are you’ve heard this synth on nearly every popular piece of music or soundtrack made then, and even later. The controls are small but surprisingly easy to manipulate and the build quality is excellent.Someone rated this synth a low grade because it didn’t come with the 25-key keyboard. None of the Roland boutique models come with a keyboard. It’s an unfair rating.
AbuyerA
Comentado en Canadá el 13 de octubre de 2023
Great sounding synth. It’s the boutique version of the JD800, Roland’s flagship synth from the early- to mid-90s. Chances are you’ve heard this synth on nearly every popular piece of music or soundtrack made then, and even later. The controls are small but surprisingly easy to manipulate and the build quality is excellent.Someone rated this synth a low grade because it didn’t come with the 25-key keyboard. None of the Roland boutique models come with a keyboard. It’s an unfair rating.
RD
Comentado en los Estados Unidos el 12 de octubre de 2023
The preset sounds are mostly dated, true--but include some nice pads for when you need them. I got this mostly for programming sounds from scratch, and for that there is a bit of a learning curve. You'll need to grok the internal architecture and the quirks of the UI to get there: there are a lot of parameters to control over a lot of layers of sounds. But once you DO get there, this thing is awesome.I'm still learning of course, but now I know how it all fits together and I'm starting to get what I want out of it. Oh, and don't let the tiny sliders scare you--they actually work way better than I expected. This is a serious synth if you can get over the "Roland Boutique" form factor that includes 1/8" jacks, old school LED display, and other corner cutting quirks. Recommended.
RD
Comentado en los Estados Unidos el 12 de octubre de 2023
The preset sounds are mostly dated, true--but include some nice pads for when you need them. I got this mostly for programming sounds from scratch, and for that there is a bit of a learning curve. You'll need to grok the internal architecture and the quirks of the UI to get there: there are a lot of parameters to control over a lot of layers of sounds. But once you DO get there, this thing is awesome.I'm still learning of course, but now I know how it all fits together and I'm starting to get what I want out of it. Oh, and don't let the tiny sliders scare you--they actually work way better than I expected. This is a serious synth if you can get over the "Roland Boutique" form factor that includes 1/8" jacks, old school LED display, and other corner cutting quirks. Recommended.
RD
Comentado en los Estados Unidos el 12 de octubre de 2023
The preset sounds are mostly dated, true--but include some nice pads for when you need them. I got this mostly for programming sounds from scratch, and for that there is a bit of a learning curve. You'll need to grok the internal architecture and the quirks of the UI to get there: there are a lot of parameters to control over a lot of layers of sounds. But once you DO get there, this thing is awesome.I'm still learning of course, but now I know how it all fits together and I'm starting to get what I want out of it. Oh, and don't let the tiny sliders scare you--they actually work way better than I expected. This is a serious synth if you can get over the "Roland Boutique" form factor that includes 1/8" jacks, old school LED display, and other corner cutting quirks. Recommended.
RD
Comentado en los Estados Unidos el 12 de octubre de 2023
The preset sounds are mostly dated, true--but include some nice pads for when you need them. I got this mostly for programming sounds from scratch, and for that there is a bit of a learning curve. You'll need to grok the internal architecture and the quirks of the UI to get there: there are a lot of parameters to control over a lot of layers of sounds. But once you DO get there, this thing is awesome.I'm still learning of course, but now I know how it all fits together and I'm starting to get what I want out of it. Oh, and don't let the tiny sliders scare you--they actually work way better than I expected. This is a serious synth if you can get over the "Roland Boutique" form factor that includes 1/8" jacks, old school LED display, and other corner cutting quirks. Recommended.
RD
Comentado en los Estados Unidos el 12 de octubre de 2023
The preset sounds are mostly dated, true--but include some nice pads for when you need them. I got this mostly for programming sounds from scratch, and for that there is a bit of a learning curve. You'll need to grok the internal architecture and the quirks of the UI to get there: there are a lot of parameters to control over a lot of layers of sounds. But once you DO get there, this thing is awesome.I'm still learning of course, but now I know how it all fits together and I'm starting to get what I want out of it. Oh, and don't let the tiny sliders scare you--they actually work way better than I expected. This is a serious synth if you can get over the "Roland Boutique" form factor that includes 1/8" jacks, old school LED display, and other corner cutting quirks. Recommended.
RD
Comentado en los Estados Unidos el 12 de octubre de 2023
The preset sounds are mostly dated, true--but include some nice pads for when you need them. I got this mostly for programming sounds from scratch, and for that there is a bit of a learning curve. You'll need to grok the internal architecture and the quirks of the UI to get there: there are a lot of parameters to control over a lot of layers of sounds. But once you DO get there, this thing is awesome.I'm still learning of course, but now I know how it all fits together and I'm starting to get what I want out of it. Oh, and don't let the tiny sliders scare you--they actually work way better than I expected. This is a serious synth if you can get over the "Roland Boutique" form factor that includes 1/8" jacks, old school LED display, and other corner cutting quirks. Recommended.
RD
Comentado en los Estados Unidos el 12 de octubre de 2023
The preset sounds are mostly dated, true--but include some nice pads for when you need them. I got this mostly for programming sounds from scratch, and for that there is a bit of a learning curve. You'll need to grok the internal architecture and the quirks of the UI to get there: there are a lot of parameters to control over a lot of layers of sounds. But once you DO get there, this thing is awesome.I'm still learning of course, but now I know how it all fits together and I'm starting to get what I want out of it. Oh, and don't let the tiny sliders scare you--they actually work way better than I expected. This is a serious synth if you can get over the "Roland Boutique" form factor that includes 1/8" jacks, old school LED display, and other corner cutting quirks. Recommended.
RD
Comentado en los Estados Unidos el 12 de octubre de 2023
The preset sounds are mostly dated, true--but include some nice pads for when you need them. I got this mostly for programming sounds from scratch, and for that there is a bit of a learning curve. You'll need to grok the internal architecture and the quirks of the UI to get there: there are a lot of parameters to control over a lot of layers of sounds. But once you DO get there, this thing is awesome.I'm still learning of course, but now I know how it all fits together and I'm starting to get what I want out of it. Oh, and don't let the tiny sliders scare you--they actually work way better than I expected. This is a serious synth if you can get over the "Roland Boutique" form factor that includes 1/8" jacks, old school LED display, and other corner cutting quirks. Recommended.
Elin
Comentado en Suecia el 6 de abril de 2023
Jättebra! Dottern hade den på en isshow.
Simona
Comentado en Italia el 10 de febrero de 2022
È veramente carino.I colori sono meno accesi rispetto alla foto, ma devo dire che sembra di qualità, ben fatto
Frpas
Comentado en Francia el 26 de febrero de 2020
Convient parfaitement à un enfant de 5 ans. Tissu résistant et couleur éclatante. C’est vraiment un beau déguisement.
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